6 min read

JAMES BLAND

Screenwriter Stephen Knight

Maybe I should reserve judgment until the new Bond comes out (which won’t be for a few years yet), but I was dismayed to hear that Stephen Knight has been recruited to write the script, given that I’ve not enjoyed any of his previous work. His credits include the turgid Peaky Blinders, a woeful version of Great Expectations for the BBC, and co-creating the dreadful game show Who Wants To Be a Millionaire?, which should be considered a cultural war crime.

I suppose fans of his work will point to LockeEastern Promises, and Dirty Pretty Things (mid-range fare) as reasons enough to justify his appointment. But for me, this feels like a very safe choice—one that won’t explore any dynamic or interesting directions in which to take the 60-plus-year franchise. I hope to be proved wrong.

And though it gets me into a lot of trouble with fellow film lovers, I'm equally unenthralled by the prospect of Denis Villeneuve directing as (for me) he belongs to the IKEA, cardboard-tasting coterie of modern directors who are routinely overpraised: Christopher Nolan, Paul Thomas Anderson, Ari Aster, and Jordan Peele. I can barely distinguish between most of these, as they all seem like wannabes masquerading as geniuses. Hate me all you want, but I just don't dig their work, with the possible exception of Villeneuve's Blade Runner 2049 (in parts) and the first half of PTA's Magnolia (Altman-lite and basically a remake of Short Cuts [1993]).

Perhaps I'm being grossly unfair, but there's also a residual fear that, because Jeff Bezos and Amazon MGM Studios have co-opted the franchise from Barbara Broccoli and her half-brother Michael G. Wilson, the new Bond project might be facing a Rings of Power scenario—that absolute magnum opus of disastrous creative slop proportions based on J.R.R. Tolkien's world that Bezos threw a billion dollars at. Maybe I'm getting ahead of myself, though, and should just wait for the finished project. It may even be a masterpiece.

And, of course, though it may seem hypocritical and contradictory—given that I’ve dabbled in writing a few Bond fan-fiction attempts for Digital Renegade—I’m not actually a huge fan of the Bond character, or indeed of most of the films in the franchise. My exceptions would be Dr. NoGoldfingerFrom Russia With LoveOn Her Majesty’s Secret ServiceThe Spy Who Loved Me, and Casino Royale. Overall, though, I find 007 a pretty flimsy franchise—the secret agent equivalent of Coronation Street. Still, it’s impossible to deny that, regardless of its overall artistic quality, Bond acts as a sort of avatar for Great Britain’s collective id (a bit like Coronation Street). There is no doubt he serves as a psychological barometer for our national self-esteem—and, judging by where we were left with Craig’s final outing, we’re pretty much cooked.

One of the other things that makes Bond films especially frustrating (with the possible exceptions of On Her Majesty’s Secret ServiceCasino Royale, and Skyfall) is that the jeopardy rarely feels relatable or remotely serious—perhaps intentionally so. It would be nice though, for once, to see Bond in a situation where he feels genuinely in trouble or existentially threatened.

Personally (as I’ve explored in some of my own fan fiction for Digital Renegade—see below), I believe the best Bond movie would involve him discovering that the British government, working in cahoots with the Royal Family, has been infiltrated either by foreign interests or captured by ideology (communism), forcing Bond to realise that the enemy he serves (MI6), as an extension of those institutions’ corruption, is already deep within the 'castle walls.'

Throw in some denial about his sex addiction at group therapy and his feeble attempt at abstinence and you have a winner.

Either that, or give him IBS (Irritable Bowel Syndrome) so that he has to wrap up his missions more efficiently, with less of the rumination that plagued the Craig series and compromises his effectiveness in the bedroom altogether for fear of being caught short. I fear this may be encroaching on Naked Gun territory.

On the other hand, perhaps it’s time for me to stop critiquing others’ efforts altogether and instead resurrect Dick Barton as a special agent movie franchise.

Anyone got Bezos's phone number?

THE CITY OF THE DEAD
Sitting in St, Mark’s Square, Venice close to where he’d just lost her, Bond felt the cold chill of death in the air. It was expected of him to be averse to such things as a fear of mortality, but seeing her gasp for her last breath in her watery
A WORLD WITHOUT YOU
They had no more use for him. In an age of artificial intelligence and advance defence equipment, his function was now becoming increasingly obsolete, and no longer it seemed did he possess any significant symbolic value for the country he’d served so devoutly. For in an age which examined Britain’s
OFF HIS MAJESTY’S SECRET SERVICE
Bond had been relieved from duty playing any further role in helping with the security detail for the King’s Coronation. Information leaked from a source within MI6 had aroused concern and suspicion about Bond’s ellegiance to King Charles himself and so M had made the decision to exempt 007 from
DIEU ET MON DROIT
Bond put aside any of his personal opinions regarding the personalities of the Royal family and thought only of their motto : Dieu Et Mon Droit when it came to his oath to protect them from enemies, both domestic and foreign. “I see only the big picture when it comes to
COLDFINGER
Bond had avoided seeing anyone over Christmas and was enjoying his solitude at Inverlair Lodge which had once housed enemy spies and potential ‘liabilities’ to her Majesty’s secret service but whose secret location, now revealed, had become a liability in itself. It was a sort of double bluff play for
HIS MAJESTY’S SECRET DISSIDENT (PART 1)
“The heretic is the one who speaks against the community from a place within its territory. He is the enemy within. The heathen, by contrast, is safely behind the walls, excluded by his own invincible arrogance.” - Roger Scruton, England: An Elegy Bond was even more dismayed with His Majesty’s
HIS MAJESTY’S SECRET DISSIDENT (PART 2)
M always deployed a moment of contrived awkward silence before speaking to Bond in his office, as if he still naively believed the old MI6 interrogation methods he’d learned as a field agent would even remotely work on his most seasoned operative. Bond enjoyed meeting M’s fixed stare with
HIS MAJESTY’S SECRET DISSIDENT (PART 3)
Though there was no escaping the cold in Italy in November, it was still warmer than England, and Bond found additional warmth in the welcoming arms of Chiara—a woman who, like Bond, preferred non-committal relationships and the mystery of not knowing when they would see each other again. Of